I've been reading an article by film critic David Denby about Otto Preminger in January's New Yorker--yes. I'm that far behind. Not only is it fascinating, but it has inspired me to want to see a bunch of his noirs (with Dana Andrews, one of my first movie star crushes):
Balance of Terror

This quote really particularly impressed me:
"So many pictures now are bloated with unnecessary spectacle and backstory that the economy and decisiveness of the noirs—violent, saturnine, dark-city crime narratives driven by strongly motivated characters—seems more miraculous than ever. Like many noir heroes, Preminger’s are tormented, sleepless men pursuing women, money, and respect."

YES!
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