I've been reading an article by film critic David Denby about Otto Preminger in January's New Yorker--yes. I'm that far behind. Not only is it fascinating, but it has inspired me to want to see a bunch of his noirs (with Dana Andrews, one of my first movie star crushes):
Balance of Terror
This quote really particularly impressed me:
"So many pictures now are bloated with unnecessary spectacle and backstory that the economy and decisiveness of the noirs—violent, saturnine, dark-city crime narratives driven by strongly motivated characters—seems more miraculous than ever. Like many noir heroes, Preminger’s are tormented, sleepless men pursuing women, money, and respect."
YES!
Balance of Terror
This quote really particularly impressed me:
"So many pictures now are bloated with unnecessary spectacle and backstory that the economy and decisiveness of the noirs—violent, saturnine, dark-city crime narratives driven by strongly motivated characters—seems more miraculous than ever. Like many noir heroes, Preminger’s are tormented, sleepless men pursuing women, money, and respect."
YES!
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