ellen_datlow (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
ellen_datlow) wrote2007-09-29 02:14 am
ellen_datlow) wrote2007-09-29 02:14 am
What Stephen King thinks about the state of short story
What Ails the Short Story
I read this several days ago and immediately shot off this response to the NY Times. As they haven't contacted me, I assume they won't be running it. If they in fact do, I'll remove it from here:
To the Editor:
I’ve been editing short fiction for over twenty-five years and unlike Stephen King I’ve read (and published) many well-written, insightful, and exciting stories during that time. So I’m perplexed by Mr. King’s complaint in his essay “What Ails the Short Story” (September 30) about the contemporary short story being “showoffy rather than entertaining, self-important rather than interesting, guarded and self-conscious rather than gloriously open, and worst of all, written for editors and teachers rather than for readers.
His comments especially trouble me because nowhere does Mr. King mention the continually entertaining and fertile grounds from which he sprung—science fiction, fantasy, and horror. Yes, the short story (mainstream and genre) is suffering from a lack of visibility, but entertaining and literate short fiction is indeed being published —just check out some of the original anthologies and magazines regularly publishing literature of the fantastic, such as The Magazine of Fantasy and Science Fiction, Fantasy Magazine, Subterranean Magazine, Cemetery Dance. During the twenty years I’ve co-edited The Year’s Best Fantasy and Horror I’ve read hundreds of dark fantasy and horror stories and neither I nor my fantasy co-editors have had any trouble filling our 250,000 volume with stories that excite us and our readers.
Ellen Datlow
Co-editor of The Year’s Best Fantasy and Horror and the forthcoming Inferno.
And for those interested, here are the comments about the essay that the NY Times allowed until they reached 164. ( I added an adaptation of my letter, plus later on, under my initials--some short story writers to read). You'll see that they range (as expected from "yes, he's absolutely correct" to "no, he's wrong" to everything in between, plus nasty comments about his own writing:
comments on King essay
I read this several days ago and immediately shot off this response to the NY Times. As they haven't contacted me, I assume they won't be running it. If they in fact do, I'll remove it from here:
To the Editor:
I’ve been editing short fiction for over twenty-five years and unlike Stephen King I’ve read (and published) many well-written, insightful, and exciting stories during that time. So I’m perplexed by Mr. King’s complaint in his essay “What Ails the Short Story” (September 30) about the contemporary short story being “showoffy rather than entertaining, self-important rather than interesting, guarded and self-conscious rather than gloriously open, and worst of all, written for editors and teachers rather than for readers.
His comments especially trouble me because nowhere does Mr. King mention the continually entertaining and fertile grounds from which he sprung—science fiction, fantasy, and horror. Yes, the short story (mainstream and genre) is suffering from a lack of visibility, but entertaining and literate short fiction is indeed being published —just check out some of the original anthologies and magazines regularly publishing literature of the fantastic, such as The Magazine of Fantasy and Science Fiction, Fantasy Magazine, Subterranean Magazine, Cemetery Dance. During the twenty years I’ve co-edited The Year’s Best Fantasy and Horror I’ve read hundreds of dark fantasy and horror stories and neither I nor my fantasy co-editors have had any trouble filling our 250,000 volume with stories that excite us and our readers.
Ellen Datlow
Co-editor of The Year’s Best Fantasy and Horror and the forthcoming Inferno.
And for those interested, here are the comments about the essay that the NY Times allowed until they reached 164. ( I added an adaptation of my letter, plus later on, under my initials--some short story writers to read). You'll see that they range (as expected from "yes, he's absolutely correct" to "no, he's wrong" to everything in between, plus nasty comments about his own writing:
comments on King essay
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To me it's even weirder considering his son, Joe, has been publishing horror for several years and getting excellent notice for it (his literary ancestry having been unknown to most readers for his career up to about a year ago). I'm sure he doesn't mean it so, but it seems like a slap in the face to his son's type of writing.
I totally agree about the bookstore placement and difficulty in finding and seeing fiction magazines, let alone sff mags.
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I confess, when I finished reading the King essay, my immediate thought was, That's kind of a cheap excuse for pushing the BASS he edited...
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